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A rare pair of Taraxacum pendant lamps by Flos, designed by Achille and Pier Giacomo Castiglioni in the 1960s.

An enduring icon of post-war Italian design, Taraxacum exemplifies the Castiglioni brothers’ extraordinary ability to transform industrial experimentation into timeless elegance. Constructed from a delicate steel framework enveloped in sprayed Cocoon resin, each lamp possesses a wonderfully organic quality, diffusing a soft, atmospheric light while asserting a sculptural presence of remarkable sophistication.

Equally compelling whether suspended above a dining table, within a grand entrance hall, or incorporated into a carefully curated interior, this matching pair embodies the refined modernity and effortless confidence associated with the golden age of Italian design.

A highly desirable acquisition for discerning collectors and decorators alike.

Design: Achille & Pier Giacomo Castiglioni
Manufacturer: Flos, Italy
Model: Taraxacum
Period: 1960s
Materials: Steel structure, Cocoon resin
Quantity: Pair

#Flos #Taraxacum #Castiglioni #ItalianModernism #DesignIcons

A refined set of six “Superleggera” chairs designed by Gio Ponti and produced by Cassina, among the purest expressions of post-war Italian modernism.
Originally inspired by the traditional Chiavari chair, Ponti reduced the form to its absolute essence: impossibly slender lines, remarkable structural strength, and extraordinary lightness. The iconic black lacquered frames are paired with their original hand-woven cane seats, beautifully aged with an elegant and authentic patina acquired over decades.
Their restrained architectural silhouette allows them to sit effortlessly within both sophisticated contemporary interiors and historically important design collections. A timeless embodiment of Italian intelligence, proportion, and craftsmanship.
#GioPonti #Cassina #ItalianDesign #Superleggera #MidCenturyModern

A superb brutalist pair of lounge chairs designed by Jonathan De Pas, Donato D’Urbino and Paolo Lomazzi for Poltronova during the golden age of radical Italian design.

Architectural in silhouette yet profoundly sensual in comfort, the composition juxtaposes solid wooden frames with extraordinarily generous down-filled leather cushions, creating that unmistakable dialogue between structure and softness so characteristic of Italian seating of the 1970s.

The warm tobacco leather has acquired a refined patina through time, harmoniously complementing the honey-toned timber base and cylindrical supports. Viewed from any angle, the chairs possess the sculptural presence of collectible design rather than mere seating — an embodiment of the experimental domestic landscape promoted by the great Italian maisons of the era.

An increasingly scarce and highly decorative pair, retaining the seductive atmosphere and relaxed sophistication of original period examples.

#ItalianDesign #Poltronova #DePasDUrbinoLomazzi #MidCenturyModern #RadicalDesign

bar cabinet is handcrafted in solid walnut and oak, celebrating the raw poetry of natural timber in its purest architectural form.

Entirely composed of organically shaped trunks and thick-cut planks, the piece evokes the atmosphere of high-altitude mountain refuges and experimental Italian interiors of the post-war period, where craftsmanship and sculptural presence prevailed over ornament. The façade’s rhythmic vertical elements create a powerful graphic cadence, while the open shelving structure recalls the structural honesty of Alpine vernacular architecture.

The warm patina of the walnut contrasts beautifully with the more rugged oak sections, revealing decades of oxidation and use, enhancing the tactile depth of the wood grain. Both primitive and sophisticated, the cabinet stands as a functional sculpture — deeply rooted in the Italian artisanal tradition yet unmistakably modernist in spirit.

An exceptionally rare and atmospheric piece, ideal for interiors inspired by brutalism, chalet modernism, or the collectible design movement.

#ItalianDesign #AlpineBrutalism #BrutalistFurniture #1960sDesign #CollectibleDesign

An exceptional Italian brutalist dining table in solid oak, crafted in the 1970s and distinguished by its remarkable sculptural pedestal composed of rhythmic vertical elements. The warm honey-toned oak, enriched by a beautifully expressive grain, gives the piece both architectural strength and quiet refinement. Designed with an ingenious extending mechanism, the circular top expands elegantly from 120 cm to 160 cm, transforming from an intimate dining setting into a commanding entertaining centrepiece. A superb example of Italian brutalist modernism, where sculptural purity, material honesty and masterful craftsmanship coexist in perfect harmony.

#ItalianDesign #BrutalistFurniture #OakTable #1970sDesign #VintageCollectors

A rare and architecturally refined pair of Italian end tables attributed to Ettore Sottsass, dating from the sophisticated experimental phase of the 1950s.

These highly distinctive pieces reveal the elegant balance between rationalist structure and artisanal warmth that characterised the finest Italian design of the post-war period. The tops are composed of alternating walnut and ash slats, creating a subtle chromatic rhythm and an exceptional depth of surface, now enriched by a beautifully preserved original patina.

The slender black lacquered metal frames, accented with brunito brass details, lend the tables an almost suspended lightness, while the asymmetrical geometry introduces a quiet architectural tension typical of Sottsass’ early work.

Rather than conventional occasional tables, these pieces function as sculptural compositions — understated yet deeply sophisticated examples of mid-century Italian craftsmanship and experimental design culture.

An exceptionally rare surviving pair, embodying the dialogue between natural materials, structural purity, and timeless Italian modernism.

#EttoreSottsass #ItalianDesign #1950sModernism #CollectibleDesign #ItalianCraftsmanship

AFIS LIGHT
Somalia, 1954
During the decade of the Italian Trusteeship Administration of Somalia (AFIS, 1950–1960), a group of Italian architects and engineers were called to Mogadishu to help rebuild a country and prepare it for independence.
Among them was architect Lorenzo Bartoli, who believed that modernity could – and should – respect the land, its materials, and its people.
In his spare time, he experimented with local materials and essential forms, seeking a dialogue between Italian design and African identity.
This lamp, a rare prototype from 1954, was born from that vision. The arm is crafted from a genuine antelope horn, found in the Somali countryside, shaped with respect and skill by local craftsmen. The structure is minimal: black lacquered brass, three lines in balance, like a sketch in space.
AFIS Light is more than a lamp. It is a symbol of a complex season in history – a time of rebuilding, encounter, and transformation.
#AFIS #ItalianDesign #Somalia1954 #DesignHistory #AntelopeHorn

An exceptionally refined Italian wall sofa from the 1950s, executed in richly figured cherrywood with a level of cabinetmaking rarely encountered today. The architectural silhouette, perfectly balanced proportions and sculptural restraint embody the golden age of Italian mid-century design. Every curve and junction reveals the hand of a true master craftsman, where elegance and structural intelligence coexist effortlessly. A statement piece of remarkable presence, equally suited to sophisticated contemporary interiors or distinguished historic residences. Original patina and character preserved throughout, enhancing the depth and warmth of the timber with extraordinary authenticity.

#ItalianDesign #MidCenturyItalian #CherrywoodFurniture #CollectorsDesign #UpperClassInteriors

An early and profoundly expressive work by Giuseppe Rivadossi, this exceptional dining ensemble from the first production years of Officina Rivadossi captures the essence of Italian Brutalism in its most authentic and sculptural form.

The circular table, hewn entirely from solid oak, is anchored by a striking architectural base, its intersecting planes creating a powerful sense of rhythm and monumentality. The top, adorned with subtle geometric inlays, reveals the hand of a master deeply attuned to material and proportion. Conceived as a bespoke commission, the table was originally designed exclusively for a private villa in the Brescia area for a senior executive of Beretta Armi, adding a compelling layer of provenance and exclusivity to the piece.

Accompanied by four original chairs, equally crafted in solid oak, the set embodies Rivadossi’s early language — rigorous, tactile, and uncompromising. Notably, the chairs feature an exceptionally rare hand-carved diamond motif, a detail seldom encountered and widely regarded among the most desirable variations on the market today, elevating the ensemble to a true collector’s level. Each piece retains its original finish, never restored, preserving a rich, time-softened patina that speaks of integrity and rare preservation.

A highly coherent and early ensemble, distinguished by its sculptural presence, remarkable provenance, and exceptional craftsmanship, offering both historical importance and an unmistakable air of refined, architectural elegance.

#GiuseppeRivadossi #ItalianBrutalism #ArchitecturalFurniture #CollectorDesign #RareFind

A refined Italian 1970s sideboard in richly grained noce nazionale, featuring sculptural vertical pilasters framing a central bank of drawers, flanked by cupboards and a discreet glazed compartment. Elegant, architectural and impeccably crafted, it embodies the quiet sophistication of high-quality Italian modernist cabinetry.

#ItalianDesign #1970sFurniture #WalnutSideboard #MidCenturyModern #LuxuryInteriors