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Willy Rizzo for Sabot Sideboard, Italy, 1970s

A striking and unmistakably glamorous sideboard designed by Willy Rizzo for Sabot during the 1970s, embodying the sophisticated luxury that made Rizzo one of the defining figures of Italian modern design.

Executed in a deep piano-black lacquer, the cabinet is conceived as a pure architectural volume, its rigorous geometric silhouette elegantly punctuated by polished chrome details. The circular recessed pulls, a recurring signature within Rizzo’s celebrated furniture production, create a refined interplay of light and shadow while reinforcing the piece’s sculptural presence.

The minimalist façade conceals a highly functional interior, balancing practicality with the designer’s unmistakable flair for cinematic elegance. Mirror-like chrome edges frame the composition, reflecting the surrounding environment and enhancing the visual lightness of an otherwise substantial form.

Blending the glamour of 1970s Italian design with the disciplined restraint of modernist architecture, this sideboard is equally suited to a sophisticated contemporary interior, a collector’s residence, or an executive setting. Its timeless monochrome palette allows it to integrate effortlessly into both minimalist and richly curated environments.

An exceptional example of Willy Rizzo’s ability to transform everyday furniture into objects of enduring luxury and refined presence.

#WillyRizzo #SabotMilano #ItalianDesign #HollywoodRegency #VintageLuxury

BBPR for Olivetti – “Spazio” Modular Bookcase, Italy, 1950s
An exceptionally refined example from the iconic Spazio series designed by BBPR for Olivetti, embodying the intellectual elegance and architectural rigour that defined post-war Italian design at its finest.
Constructed in lacquered steel, the composition combines adjustable shelving with an integrated storage cabinet, creating a harmonious balance between utility and visual lightness. The slender uprights, delicate cross-bracing and sculptural metal panels reveal the unmistakable influence of architectural thinking, transforming a functional storage system into a sophisticated interior statement.
Conceived for executive offices and cultured private residences, the Spazio programme represented Olivetti’s visionary commitment to modern living, where technological progress, craftsmanship and aesthetic excellence coexisted seamlessly.
Today, surviving examples are increasingly sought after by discerning collectors, architects and connoisseurs of twentieth-century design, celebrated for their timeless proportions, historical significance and enduring versatility.
#BBPR #OlivettiSpazio #ItalianDesignMasterpiece #MidCenturyModern #CollectorsFurniture

Art Deco Sideboard by Gaston Poisson – A Masterpiece of French Oak Craftsmanship

An exceptional example of French Art Deco design, this remarkable sideboard attributed to Gaston Poisson embodies the refined balance between architectural rigour and artisanal sophistication that defined the finest furniture of the interwar period. Expertly handcrafted in solid oak, the piece showcases a striking interplay of geometric volumes, stepped detailing and sculptural proportions, all softened by the warmth and expressive grain of the timber.

The façade is distinguished by its elegantly panelled doors, enriched with subtle carved embellishments and original decorative hardware, reflecting Poisson’s celebrated ability to merge traditional cabinet-making techniques with the modern spirit of the 1920s and 1930s. Resting upon a substantial plinth base, the sideboard possesses a commanding presence while maintaining an understated elegance suitable for both classic and contemporary interiors.

Beyond its visual appeal, this is a work of outstanding functionality, offering generous storage concealed behind beautifully executed cabinetry. A testament to the enduring quality of French craftsmanship, it represents not merely a piece of furniture but a highly decorative object of historical significance.

A rare acquisition for discerning collectors and connoisseurs of twentieth-century design, this Art Deco sideboard exemplifies the timeless sophistication associated with the finest creations of Gaston Poisson.

#GastonPoisson #FrenchArtDeco #SolidOakFurniture #ArtDecoInteriors #CollectorsDesign

A rare pair of Taraxacum pendant lamps by Flos, designed by Achille and Pier Giacomo Castiglioni in the 1960s.

An enduring icon of post-war Italian design, Taraxacum exemplifies the Castiglioni brothers’ extraordinary ability to transform industrial experimentation into timeless elegance. Constructed from a delicate steel framework enveloped in sprayed Cocoon resin, each lamp possesses a wonderfully organic quality, diffusing a soft, atmospheric light while asserting a sculptural presence of remarkable sophistication.

Equally compelling whether suspended above a dining table, within a grand entrance hall, or incorporated into a carefully curated interior, this matching pair embodies the refined modernity and effortless confidence associated with the golden age of Italian design.

A highly desirable acquisition for discerning collectors and decorators alike.

Design: Achille & Pier Giacomo Castiglioni
Manufacturer: Flos, Italy
Model: Taraxacum
Period: 1960s
Materials: Steel structure, Cocoon resin
Quantity: Pair

#Flos #Taraxacum #Castiglioni #ItalianModernism #DesignIcons

A refined set of six “Superleggera” chairs designed by Gio Ponti and produced by Cassina, among the purest expressions of post-war Italian modernism.
Originally inspired by the traditional Chiavari chair, Ponti reduced the form to its absolute essence: impossibly slender lines, remarkable structural strength, and extraordinary lightness. The iconic black lacquered frames are paired with their original hand-woven cane seats, beautifully aged with an elegant and authentic patina acquired over decades.
Their restrained architectural silhouette allows them to sit effortlessly within both sophisticated contemporary interiors and historically important design collections. A timeless embodiment of Italian intelligence, proportion, and craftsmanship.
#GioPonti #Cassina #ItalianDesign #Superleggera #MidCenturyModern

A superb brutalist pair of lounge chairs designed by Jonathan De Pas, Donato D’Urbino and Paolo Lomazzi for Poltronova during the golden age of radical Italian design.

Architectural in silhouette yet profoundly sensual in comfort, the composition juxtaposes solid wooden frames with extraordinarily generous down-filled leather cushions, creating that unmistakable dialogue between structure and softness so characteristic of Italian seating of the 1970s.

The warm tobacco leather has acquired a refined patina through time, harmoniously complementing the honey-toned timber base and cylindrical supports. Viewed from any angle, the chairs possess the sculptural presence of collectible design rather than mere seating — an embodiment of the experimental domestic landscape promoted by the great Italian maisons of the era.

An increasingly scarce and highly decorative pair, retaining the seductive atmosphere and relaxed sophistication of original period examples.

#ItalianDesign #Poltronova #DePasDUrbinoLomazzi #MidCenturyModern #RadicalDesign

bar cabinet is handcrafted in solid walnut and oak, celebrating the raw poetry of natural timber in its purest architectural form.

Entirely composed of organically shaped trunks and thick-cut planks, the piece evokes the atmosphere of high-altitude mountain refuges and experimental Italian interiors of the post-war period, where craftsmanship and sculptural presence prevailed over ornament. The façade’s rhythmic vertical elements create a powerful graphic cadence, while the open shelving structure recalls the structural honesty of Alpine vernacular architecture.

The warm patina of the walnut contrasts beautifully with the more rugged oak sections, revealing decades of oxidation and use, enhancing the tactile depth of the wood grain. Both primitive and sophisticated, the cabinet stands as a functional sculpture — deeply rooted in the Italian artisanal tradition yet unmistakably modernist in spirit.

An exceptionally rare and atmospheric piece, ideal for interiors inspired by brutalism, chalet modernism, or the collectible design movement.

#ItalianDesign #AlpineBrutalism #BrutalistFurniture #1960sDesign #CollectibleDesign

An exceptional Italian brutalist dining table in solid oak, crafted in the 1970s and distinguished by its remarkable sculptural pedestal composed of rhythmic vertical elements. The warm honey-toned oak, enriched by a beautifully expressive grain, gives the piece both architectural strength and quiet refinement. Designed with an ingenious extending mechanism, the circular top expands elegantly from 120 cm to 160 cm, transforming from an intimate dining setting into a commanding entertaining centrepiece. A superb example of Italian brutalist modernism, where sculptural purity, material honesty and masterful craftsmanship coexist in perfect harmony.

#ItalianDesign #BrutalistFurniture #OakTable #1970sDesign #VintageCollectors

A rare and architecturally refined pair of Italian end tables attributed to Ettore Sottsass, dating from the sophisticated experimental phase of the 1950s.

These highly distinctive pieces reveal the elegant balance between rationalist structure and artisanal warmth that characterised the finest Italian design of the post-war period. The tops are composed of alternating walnut and ash slats, creating a subtle chromatic rhythm and an exceptional depth of surface, now enriched by a beautifully preserved original patina.

The slender black lacquered metal frames, accented with brunito brass details, lend the tables an almost suspended lightness, while the asymmetrical geometry introduces a quiet architectural tension typical of Sottsass’ early work.

Rather than conventional occasional tables, these pieces function as sculptural compositions — understated yet deeply sophisticated examples of mid-century Italian craftsmanship and experimental design culture.

An exceptionally rare surviving pair, embodying the dialogue between natural materials, structural purity, and timeless Italian modernism.

#EttoreSottsass #ItalianDesign #1950sModernism #CollectibleDesign #ItalianCraftsmanship

AFIS LIGHT
Somalia, 1954
During the decade of the Italian Trusteeship Administration of Somalia (AFIS, 1950–1960), a group of Italian architects and engineers were called to Mogadishu to help rebuild a country and prepare it for independence.
Among them was architect Lorenzo Bartoli, who believed that modernity could – and should – respect the land, its materials, and its people.
In his spare time, he experimented with local materials and essential forms, seeking a dialogue between Italian design and African identity.
This lamp, a rare prototype from 1954, was born from that vision. The arm is crafted from a genuine antelope horn, found in the Somali countryside, shaped with respect and skill by local craftsmen. The structure is minimal: black lacquered brass, three lines in balance, like a sketch in space.
AFIS Light is more than a lamp. It is a symbol of a complex season in history – a time of rebuilding, encounter, and transformation.
#AFIS #ItalianDesign #Somalia1954 #DesignHistory #AntelopeHorn