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Giulio Moscatelli for Meroni, Italy, circa 1964
A refined Italian modernist dining table executed in richly figured palisander, its circular top poised upon a sculptural flared pedestal rising from a faceted hexagonal base.
The harmony between geometry and grain reveals the intellectual elegance of mid-century Italian design at its most cultivated. Understated yet commanding, this is a table conceived not merely as furniture, but as architectural presence within the domestic sphere.
An object of discernment. Quietly formidable.

Condition: original patina, minor age-related signs consistent with period.
#GiulioMoscatelli
#Meroni
#ItalianModernism
#Palisander
#1960sDesign

Set of six large “Diaframma” wall lights by G.P.A. Monti for Fontana Arte, Italy, circa 1968.
An arresting and impeccably proportioned ensemble, each sconce composed of exquisitely acid-etched blown glass framed within a finely engineered chromed brass structure, now matured into a distinguished, time-softened patina. The signature diaphragm aperture allows a cultivated modulation of light — at once architectural and atmospheric — casting a restrained yet luminous presence upon the wall.
Retaining their original, generously scaled fittings and wall mounts, this substantial set of six offers both sculptural gravitas and refined Italian modernist elegance. A rare opportunity to acquire a complete, large-format grouping in such authentic and well-preserved condition.
#FontanaArte #GPAMonti #ItalianModernism #SpaceAgeLighting #MidCenturyItalian

Togo two-seat sofa, 160 cm, original fabric, with label
An iconic low-slung two-seat Togo sofa measuring 160 cm in length, presented in its original deep blue upholstery and retaining its manufacturer’s label.
Designed with its unmistakable sculptural, all-foam construction and signature pleated quilting, this piece embodies the relaxed yet sophisticated spirit of 1970s French modernism. The ergonomic, frameless structure offers exceptional comfort while maintaining its architectural silhouette.
The original fabric remains in very good condition, with a rich tone and honest signs of age consistent with careful use. The presence of the label further attests to its authenticity.
A timeless collector’s piece — equally at home in a curated mid-century interior or a contemporary setting seeking depth and character.
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#TogoSofa #FrenchModernism #1970sDesign #OriginalFabric #DesignCollectors

Set of twelve dining chairs, Northern Italy, circa late 1950s
A refined and quietly architectural suite of twelve dining chairs crafted in solid Italian walnut. The design is defined by its sculptural rear uprights — gently curved and flowing into the backrest support — balanced by substantial front legs that lend gravitas and structural clarity.
The proportions are compact yet assertive, embodying the confident restraint of post-war Northern Italian cabinetmaking. The walnut displays a warm, mature tone with a beautifully even grain, enhancing the understated elegance of the form.
Both seat and backrest are upholstered in original Sky — the innovative mid-century Italian synthetic upholstery — preserved in excellent condition, taut and impeccably maintained.
A rare opportunity to acquire a complete and cohesive set, ideal for a refined dining interior where authenticity and material integrity matter.
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#ItalianWalnut #MidCenturyItalian #NorthernItalyDesign #1950sFurniture #DesignCollectors

exceptional Italian dining table designed in the 1950s by Leonardo Fiori for ISA, Bergamo, Italy.
Executed in richly figured rosewood, the octagonal top presents a masterfully composed radial veneer pattern converging towards a central medallion — a disciplined yet expressive exercise in geometry and cabinetmaking virtuosity. The depth and movement of the timber lend the surface a quiet, cultivated drama that reveals itself beautifully under shifting light.
The table rests upon a sculptural blackened metal base of distinctly modernist character — architectural in presence yet restrained in silhouette. Of particular note is the ingenious integrated levelling mechanism, conceived to ensure the table remains perfectly in balance even on uneven floors. A detail that speaks of technical intelligence as much as aesthetic refinement.
Comfortably seating eight, this is Italian mid-century design at its most assured: rational, confident, and discreetly luxurious.
A serious piece for the informed collector.
#LeonardoFiori
#ISABergamo
#ItalianMidCentury
#RosewoodDesign
#1950sModernism

A distinguished suite of four Italian brutalist dining chairs, designed in the 1960s by Franco Bettonica for Pininni.
Crafted in richly grained mahogany, the frames embody a rigorous architectural language — square, uncompromising lines and an austere structural clarity that speaks of the more intellectual strand of Italian modernism. The silhouette is assertive yet disciplined, revealing an almost monastic purity of proportion.
The seats and backrests are upholstered in original Sky — the forward-looking synthetic material emblematic of the period — chosen at the time for its modernity and technical innovation. They remain in untouched, original condition and have not yet been cleaned, thus preserving the honest surface and time-earned patina so prized by discerning collectors.
Unrestored. Authentic. Entirely of its era.
For those who value integrity over intervention.
#FrancoBettonica
#ItalianBrutalism
#1960sItalianDesign
#OriginalPatina
#CollectorPieces

A striking pair of French wall sconces from the 1970s, embodying the austere elegance and intellectual restraint of post-war continental design. Each piece is composed of a finely brushed stainless steel disc, sculptural yet disciplined in form, framing a luminous cluster of natural quartz crystals that radiate with quiet authority.
The contrast between the cold precision of industrial steel and the primal, organic purity of quartz creates a composition of rare poetic tension — at once architectural and elemental. When illuminated, the crystals emit a warm, almost ceremonial glow, transforming the surface behind into a soft halo of restrained splendour.
Measuring 37 cm in width, these are not mere lighting fixtures but sculptural statements, evocative of the refined interiors of late-modernist Paris — discreet, intellectual, and unmistakably aristocratic in spirit. Rare survivals in such uncompromised condition.
#FrenchModernism #1970sDesign #QuartzCrystal #ArchitecturalLighting #CollectorsPiece A striking pair of French wall sconces from the 1970s, embodying the austere elegance and intellectual restraint of post-war continental design. Each piece is composed of a finely brushed stainless steel disc, sculptural yet disciplined in form, framing a luminous cluster of natural quartz crystals that radiate with quiet authority.
The contrast between the cold precision of industrial steel and the primal, organic purity of quartz creates a composition of rare poetic tension — at once architectural and elemental. When illuminated, the crystals emit a warm, almost ceremonial glow, transforming the surface behind into a soft halo of restrained splendour.
Measuring 37 cm in width, these are not mere lighting fixtures but sculptural statements, evocative of the refined interiors of late-modernist Paris — discreet, intellectual, and unmistakably aristocratic in spirit. Rare survivals in such uncompromised condition.
FrenchModernism 1970sDesign QuartzCrystal

Mathieu Matégot (1910–2001)
“Soumba” nesting tables, France, circa 1953–1955
An exceptionally rare and entirely original set of three Soumba nesting tables by Mathieu Matégot, executed in perforated sheet steel with original brass sabots and retaining their complete period screws.
In a market now saturated with later reproductions and misattributed examples — conservatively over 90% — this set stands apart for its unquestionable authenticity. The honest, untouched patina of the perforated steel, together with the naturally aged brass feet and fully original hardware, confirms their status as true period pieces. The refined proportions, material integrity, and unmistakable construction reflect Matégot’s pioneering mastery of perforated metal.
Dimensions (largest):
Width: 34 cm
Depth: 29 cm
Height: 37 cm
A rare opportunity to acquire an authentic and complete set of one of Matégot’s most celebrated and increasingly scarce models, preserved in original condition.
#MathieuMategot #Soumba #MidCenturyOriginal #FrenchModernism #AuthenticDesign

Tiny Little Lelii
#arredoluce #lelii #vintagelighting