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  • striking Italian Futurist desk

    striking Italian Futurist desk, crafted circa 1925 in richly figured walnut, embodying the bold geometric language and forward-thinking spirit of the early 20th century avant-garde. The composition is defined by its architectural asymmetry: a cantilevered top floating above a sculptural support, paired with twin drawer pedestals that lend both visual balance and practical function. The interplay of solid volumes and open voids—most notably the distinctive cut-out detail—speaks to a dynamic exploration of space and form, characteristic of the Futurist movement’s fascination with movement, modernity, and industrial progress. The walnut veneer, with its warm, honeyed tone and expressive grain, enhances the sculptural quality of the piece, while the original hardware and patina bear witness to its authenticity and age. A rare and compelling example of early Italian modernism, this desk stands as both a functional object and a statement of artistic intent—equally suited to a refined interior or a collector’s curated environment. #ItalianFuturism #1920sDesign #WalnutFurniture #AvantGardeDesign #CollectorsPiece
    28 Marzo 2026
  • pair of Italian armchairs attributed to Luigi Vietri

    pair of Italian armchairs attributed to Luigi Vietri, crafted in solid walnut (noce) with a beautifully restrained, architectural line. The slender, tapering legs and gently angled supports reveal a masterful understanding of proportion, while the poised armrests lend the composition an understated sculptural quality. Presented with their original upholstery, the deep blue fabric offers a quiet yet confident contrast to the warmth of the walnut, preserving the authentic character and period integrity of the pieces. Elegant, discreet, and unmistakably Italian — a pair that speaks in a low voice, yet with lasting authority. #luigivietri #italianmidcentury #collectibledesign #walnutfurniture
    28 Marzo 2026
  • An intriguing and playful example of Italian Radical Design from the 1970s

    An intriguing and playful example of Italian Radical Design from the 1970s, this “Scorpion” coat stand with concealed mirror was conceived by the collective Anonima Design and produced by Bonetto. Crafted in warm ash veneer, the piece appears at first as a sculptural wall panel, its elegant grain and rhythmic cut-outs creating a refined geometric composition. With a gentle movement, the carved elements swing open on discreet hinges, revealing a central mirror and transforming the composition into a striking architectural coat stand. The articulated arms extend outward like the segments of a scorpion’s tail, giving the object both its memorable name and its dynamic sculptural presence. A delightful marriage of ingenuity and craftsmanship, this piece embodies the experimental spirit of Italian design in the early 1970s—where functionality, humour and sculptural form converge to elevate even the most ordinary domestic ritual. #ItalianRadicalDesign #1970sDesign #AnonimaDesign #Bonetto #ItalianMidCentury
    5 Marzo 2026
  • An elegant Italian vintage storage piece from the 1950s

    An elegant Italian vintage storage piece from the 1950s, crafted in beautifully grained rosewood (palissandro). The sculptural structure features softly arched cut-outs on the sides and base, giving the piece a light architectural presence while celebrating the natural movement of the wood grain. The upholstered top, finished in a rich burgundy tone with a refined stitched grid, lifts to reveal a practical internal compartment — a discreet storage solution typical of the inventive Italian cabinetry of the mid-century period. A charming and versatile object that can function as a stool, a small occasional table, or a refined storage piece, embodying the understated sophistication of Italian mid-century craftsmanship. #ItalianMidCentury #RosewoodFurniture #1950sDesign #ItalianVintage
    5 Marzo 2026
  • A striking pair of Italian brutalist armchairs

    A striking pair of Italian brutalist armchairs, dating to the 1970s. Crafted in solid wood with bold architectural lines and an uncompromising sculptural presence, these pieces embody the expressive spirit of Italian radical design of the period. The generous wooden arms and robust frame reveal a refined balance between craftsmanship and structural honesty. The seats are currently upholstered and will be newly restored with ash (frassino) wood seating, enhancing their original material purity and timeless character. Authentic Italian production, retaining a beautiful natural patina that only decades of life can confer. #ItalianBrutalism #1970sDesign #ItalianModernism #VintageItalianDesign #BrutalistFurniture
    5 Marzo 2026
  • Mario Marenco for Mobilgirgi Italy

    Mario Marenco for Mobilgirgi Italy, 1970s A commanding sideboard crafted entirely in solid Italian walnut — prized for its rich honey tone and remarkable structural stability. Mobilgirgi’s construction method was uncompromising: fully solid panels, meticulously seasoned timber, engineered to resist warping over time. No veneer. No shortcuts. Only substance. The architectural rhythm of the vertical grain, framed by structural uprights, gives the piece a sculptural presence — restrained, confident, unmistakably Italian. This example stands among the finest expressions of Mobilgirgi’s production: material integrity, proportion, and quiet authority. A serious collector’s cabinet. #MarioMarenco #Mobilgirgi #ItalianModern #SolidWalnut #CollectorsDesign
    2 Marzo 2026
  • Giulio Moscatelli for Meroni

    Giulio Moscatelli for Meroni, Italy, circa 1964 A refined Italian modernist dining table executed in richly figured palisander, its circular top poised upon a sculptural flared pedestal rising from a faceted hexagonal base. The harmony between geometry and grain reveals the intellectual elegance of mid-century Italian design at its most cultivated. Understated yet commanding, this is a table conceived not merely as furniture, but as architectural presence within the domestic sphere. An object of discernment. Quietly formidable. Condition: original patina, minor age-related signs consistent with period. #GiulioMoscatelli #Meroni #ItalianModernism #Palisander #1960sDesign
    28 Febbraio 2026
  • Set of six large “Diaframma” wall lights by G.P.A. Monti for Fontana Arte

    Set of six large “Diaframma” wall lights by G.P.A. Monti for Fontana Arte, Italy, circa 1968. An arresting and impeccably proportioned ensemble, each sconce composed of exquisitely acid-etched blown glass framed within a finely engineered chromed brass structure, now matured into a distinguished, time-softened patina. The signature diaphragm aperture allows a cultivated modulation of light — at once architectural and atmospheric — casting a restrained yet luminous presence upon the wall. Retaining their original, generously scaled fittings and wall mounts, this substantial set of six offers both sculptural gravitas and refined Italian modernist elegance. A rare opportunity to acquire a complete, large-format grouping in such authentic and well-preserved condition. #FontanaArte #GPAMonti #ItalianModernism #SpaceAgeLighting #MidCenturyItalian
    28 Febbraio 2026
  • Togo two-seat sofa

    Togo two-seat sofa, 160 cm, original fabric, with label An iconic low-slung two-seat Togo sofa measuring 160 cm in length, presented in its original deep blue upholstery and retaining its manufacturer’s label. Designed with its unmistakable sculptural, all-foam construction and signature pleated quilting, this piece embodies the relaxed yet sophisticated spirit of 1970s French modernism. The ergonomic, frameless structure offers exceptional comfort while maintaining its architectural silhouette. The original fabric remains in very good condition, with a rich tone and honest signs of age consistent with careful use. The presence of the label further attests to its authenticity. A timeless collector’s piece — equally at home in a curated mid-century interior or a contemporary setting seeking depth and character. — #TogoSofa #FrenchModernism #1970sDesign #OriginalFabric #DesignCollectors
    27 Febbraio 2026
  • Set of twelve dining chairs

    Set of twelve dining chairs, Northern Italy, circa late 1950s A refined and quietly architectural suite of twelve dining chairs crafted in solid Italian walnut. The design is defined by its sculptural rear uprights — gently curved and flowing into the backrest support — balanced by substantial front legs that lend gravitas and structural clarity. The proportions are compact yet assertive, embodying the confident restraint of post-war Northern Italian cabinetmaking. The walnut displays a warm, mature tone with a beautifully even grain, enhancing the understated elegance of the form. Both seat and backrest are upholstered in original Sky — the innovative mid-century Italian synthetic upholstery — preserved in excellent condition, taut and impeccably maintained. A rare opportunity to acquire a complete and cohesive set, ideal for a refined dining interior where authenticity and material integrity matter. — #ItalianWalnut #MidCenturyItalian #NorthernItalyDesign #1950sFurniture #DesignCollectors
    27 Febbraio 2026
  • exceptional Italian dining table designed in the 1950s by Leonardo Fiori for ISA

    exceptional Italian dining table designed in the 1950s by Leonardo Fiori for ISA, Bergamo, Italy. Executed in richly figured rosewood, the octagonal top presents a masterfully composed radial veneer pattern converging towards a central medallion — a disciplined yet expressive exercise in geometry and cabinetmaking virtuosity. The depth and movement of the timber lend the surface a quiet, cultivated drama that reveals itself beautifully under shifting light. The table rests upon a sculptural blackened metal base of distinctly modernist character — architectural in presence yet restrained in silhouette. Of particular note is the ingenious integrated levelling mechanism, conceived to ensure the table remains perfectly in balance even on uneven floors. A detail that speaks of technical intelligence as much as aesthetic refinement. Comfortably seating eight, this is Italian mid-century design at its most assured: rational, confident, and discreetly luxurious. A serious piece for the informed collector. #LeonardoFiori #ISABergamo #ItalianMidCentury #RosewoodDesign #1950sModernism
    26 Febbraio 2026
  • A distinguished suite of four Italian brutalist dining chairs

    A distinguished suite of four Italian brutalist dining chairs, designed in the 1960s by Franco Bettonica for Pininni. Crafted in richly grained mahogany, the frames embody a rigorous architectural language — square, uncompromising lines and an austere structural clarity that speaks of the more intellectual strand of Italian modernism. The silhouette is assertive yet disciplined, revealing an almost monastic purity of proportion. The seats and backrests are upholstered in original Sky — the forward-looking synthetic material emblematic of the period — chosen at the time for its modernity and technical innovation. They remain in untouched, original condition and have not yet been cleaned, thus preserving the honest surface and time-earned patina so prized by discerning collectors. Unrestored. Authentic. Entirely of its era. For those who value integrity over intervention. #FrancoBettonica #ItalianBrutalism #1960sItalianDesign #OriginalPatina #CollectorPieces
    26 Febbraio 2026
  • A striking pair of French wall sconces from the 1970s

    A striking pair of French wall sconces from the 1970s, embodying the austere elegance and intellectual restraint of post-war continental design. Each piece is composed of a finely brushed stainless steel disc, sculptural yet disciplined in form, framing a luminous cluster of natural quartz crystals that radiate with quiet authority. The contrast between the cold precision of industrial steel and the primal, organic purity of quartz creates a composition of rare poetic tension — at once architectural and elemental. When illuminated, the crystals emit a warm, almost ceremonial glow, transforming the surface behind into a soft halo of restrained splendour. Measuring 37 cm in width, these are not mere lighting fixtures but sculptural statements, evocative of the refined interiors of late-modernist Paris — discreet, intellectual, and unmistakably aristocratic in spirit. Rare survivals in such uncompromised condition. #FrenchModernism #1970sDesign #QuartzCrystal #ArchitecturalLighting #CollectorsPiece A striking pair of French wall sconces from the 1970s, embodying the austere elegance and intellectual restraint of post-war continental design. Each piece is composed of a finely brushed stainless steel disc, sculptural yet disciplined in form, framing a luminous cluster of natural quartz crystals that radiate with quiet authority. The contrast between the cold precision of industrial steel and the primal, organic purity of quartz creates a composition of rare poetic tension — at once architectural and elemental. When illuminated, the crystals emit a warm, almost ceremonial glow, transforming the surface behind into a soft halo of restrained splendour. Measuring 37 cm in width, these are not mere lighting fixtures but sculptural statements, evocative of the refined interiors of late-modernist Paris — discreet, intellectual, and unmistakably aristocratic in spirit. Rare survivals in such uncompromised condition. FrenchModernism 1970sDesign QuartzCrystal
    22 Febbraio 2026
  • Mathieu Matégot (1910–2001) “Soumba” nesting tables

    Mathieu Matégot (1910–2001) “Soumba” nesting tables, France, circa 1953–1955 An exceptionally rare and entirely original set of three Soumba nesting tables by Mathieu Matégot, executed in perforated sheet steel with original brass sabots and retaining their complete period screws. In a market now saturated with later reproductions and misattributed examples — conservatively over 90% — this set stands apart for its unquestionable authenticity. The honest, untouched patina of the perforated steel, together with the naturally aged brass feet and fully original hardware, confirms their status as true period pieces. The refined proportions, material integrity, and unmistakable construction reflect Matégot’s pioneering mastery of perforated metal. Dimensions (largest): Width: 34 cm Depth: 29 cm Height: 37 cm A rare opportunity to acquire an authentic and complete set of one of Matégot’s most celebrated and increasingly scarce models, preserved in original condition. #MathieuMategot #Soumba #MidCenturyOriginal #FrenchModernism #AuthenticDesign
    22 Febbraio 2026
  • Tiny Little Lelii #arredoluce #lelii #vintagelighting

    Tiny Little Lelii #arredoluce #lelii #vintagelighting
    22 Febbraio 2026